I struggled to get to my feet in the pitching
boat. In addition to nearly overheating in my drysuit (warm water, but long
dives) and the excessive weight of my Sentinel rebreather, I had two 80 cu/ft
stage bottles clipped to my side. I shuffled to the stern and ungracefully fell
into the profoundly blue water. Relief. After a final check of my breathing
mixture and receiving my Aquatica housed Nikon I was on the decent. It was at
20 ft deep on a quick bubble check that I finally looked down - was that the
bottom? When I reached the bottom my eyes were doing battle with my mind. My
eyes were seeing a 40-60 ft clear, overly blue Caribbean dive. My mind, however,
was registering the 175ft’ my computer was displaying with a rapidly
evaporating no-decompression time. The site was located on a sparse plateau
between the sharp, rocky cliffs that climbed up to the surface and a steep
drop-off to the abyss – no aquarium shipwreck here. I began to scan the bottom
while my dive buddy, Greek technical diver extraordinaire Alexandros Sotiriou, squeezed
the earpiece of the metal detector under his mask strap. At first glance the
bottom consisted of mostly sand with large coral outcroppings and patches of
dark rubble. Upon closer examination, I realized the rubble was broken amphorae
scattered in the sand – and they were everywhere. Nearby I photographed the near
perfect neck of a clay jar with its handles just above the sediment as if
someone had gently placed it there a mere 2000 years ago.
|
2,000 years on the sea floor |
I continued shooting the metal detector
operations as instructed, trying not to get distracted and swim off to shoot the
artifact scatters (like I wanted to do). I found an area of shattered amphorae
directly in the path of Alex and his metal detector. As I waited for him to
approach, I fired a few shots. He swam to my location, monitoring the pulse of
the detector. When he reached me, he paused, examined the pile of exposed
amphorae in front of me and gently reached into the sediment. With a delicate
twist, the clay artifact, a nearly intact small serving amphora, appeared out
of the sediment cloud. Beyond all my pre-project web searches or archaeology discussions
– the potential of this incredibly historic shipwreck became immediately
apparent before my lens.
|
Alexandros Sotiriou discovers a small amphora |
I continued to follow Alex on
the metal detector survey; ready to document anything else. I was a believer.
After a few minutes of hovering in water cloudy from hand-fanning, I was
distracted and began to wander in search of better photographic opportunities. Evan
motioned from a distance that he was heading to shoot some high angle shots to
assist in the site mapping. Clear water. I was game. Just as I started to
follow Evan I heard Alex trying to get my attention. As I turned, I saw him in
a cloud of sediment waiving for me to join him. As I closed the distance I noticed
he had located an iron bar of some type. He was still removing it from the
sediment when I reached him. He gave one final tug on the less then impressive
bar. The opposing end slowly rose above the silt cloud. This was no iron bar –
it was a spear - a 2,000-year-old bronze spear. There was Alex, upright in a
cloud of sediment, with the spear raised in front him like some kind of warrior.
I continued shooting – strobes firing, Alex wide-eyed and smirking. Despite the
massive haul of artifacts in 1901 and the extensive airlift excavation in 1976 by
Cousteau, I needed little convincing there at 175ft that this site still held
vast treasures of antiquities. I was hooked.
|
Alexandros Sotiriou with the bonze spear |
The combination of depth, gas mix, and
efficiency of the Sentinel rebreather meant roughly one minute of decompression
for each minute of bottom time. Our dive plan was to monitor our TTS, or time
to surface, and add that to our decompression requirement. We didn’t want those
combined times to exceed two hours.
|
Phil Short and Alex examine the spear on the bottom |
Alex attached a lift bag to the tip of the spear
to offset its massive weight. Phil and Evan joined us at the base of the cliffs
running up to the surface. Phil examined the spear with excitement. Handshakes
were exchanged. With nearly 55 minutes of bottom time and almost an hour in decompression
still to come we began our ascent up the slope. Typically, staged decompression
is an extremely dull endeavor as you just “hang” at the prescribed depths
displayed on our handsets - 3 minutes at this depth, 7 minutes that depth,
until you roll into the dreaded last stop at 20ft and you see your longest
obligation -45 minutes on this dive. This particular deco stop could very well
qualify as one of the most exhilarating and vigorous of my career. While off
gassing at 20ft, Phil and Alex examined the spear while I shot relentlessly. A
bronze spear crafted by an unknown artist some two millennia ago. Not your
typical decompression.
|
Phil Short on deco |
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