Anyone on the fringes of my
generation will undoubtedly reference Cousteau as a catalyst, hero, or outright
inspiration to be associated with the life aquatic. As with the masses, I
remember dreaming of being onboard the Calypso
at a very young age. “My Cousteau” was not the rail-thin, middle age explorer
of mid ’50s, early 60s seen in films like Silent
World or World Without Sun. Mine was more of the aged, godfather of Calypso sending the young speedo clad
French divers under the sea while he posed for the cameras. The mid to late 70s
brought us Cousteau Odyssey, a series
of slick, well-produced documentaries of the amazing underwater world. If he
and his faithful sidekick Fredrick Dumas (who I always appreciated more because
he was always working) were pioneering the underwater documentary with the 1956
release of the film Silent World,
they had perfected the genre by the 70s with tremendous production value and glossy
camera tricks to immerse the viewer.
Although I can’t remember the
exact day, I’m certain that as a boy of 7 years old in 1978, I undoubtedly sat
Indian-style on the shag carpet in front of a thick, oak console television,
enthralled by the episode The Cousteau
Odyssey – Diving for Roman Plunder. How could I have possibly dreamed that three
decades later I would find myself off the same Greek coast, diving the same
Roman shipwreck, swimming past a feature we called “Cousteau rock”, and
photographing the same broken amphorae as the legendary crew of Calypso?
Looking back, the thing that
always fascinated me about Cousteau was the equipment used to explore our
underwater world. Jacques’ thick French accent, his feeble, thin body, and
advanced age didn’t create much of a super hero persona in a boy just shy of 10
(again, that was Dumas). But the gear, oh how I marveled at the gear. Didn’t we
all? Underwater flying submersibles, diving bells, shark cages, observation
towers, helicopters, and a flying boat all under the Calypso flag (the latter
two still excite me as an adult). It seemed to be a world of unlimited
resources with unlimited discoveries in a day when ocean exploration was
occurring – and people actually paid attention.
The Calypso diving saucer |
Cousteau with bronze statues recovered from the Antikythera site |
Sponge divers from the 1901 dives |
On the imaging front, just as Cousteau’s team produced a photo-mosaic of the site by physically taping photographs together, our autonomous underwater vehicle (or AUV) was deployed to photograph the seabed using stereo photography (two cameras) and create a 3D mosaic of the site linked to real world GPS data. Lastly, the current expedition is deploying a revolutionary single person submersible. This “Iron Man” of the sea as is called an ExoSuit.
The Exosuit |
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